![]() ![]() Much chaotic combat ensues, including a car chase through New York City’s bustling streets and a final showdown in crowded midtown between the foursome and a horrifically enhanced Superfly.Ĭonsidering Rogen’s participation as both a writer and actor (he voices mutant warthog Bebop John Cena is his burly sidekick Rocksteady), it’s surprising that Mutant Mayhem plays it so safe, not merely in terms of plot but with regards to its comedy. ![]() It’s his methods that turn out to be the problem, because Superfly intends to build a machine that will transform every living creature on the planet into a mutant. The villain in question turns out to be Superfly (Ice Cube), Stockman’s former guinea pig pet, who shares the Turtles’ desire for acceptance. Rather, its focus is on making modern-day references that its adolescent audience will know, from Beyonce, Batman, and Avengers to Attack on Titan, Tokyo Drift, and Wendy Williams. In the present, Splinter is the cautious surrogate father to Leonardo (Nicolas Cantu), Donatello (Micah Abbey), Michelangelo (Shamon Brown Jr.) and Raphael (Brady Noon), teen turtles named after Italian Renaissance greats-although Mutant Mayhem doesn’t allude to such art-history roots (the protagonists’ monikers are shortened to Leo, Donnie, Mikey and Raph). Unfortunately, his evil rival Cynthia (Maya Rudolph) coveted the potion and, in a special-ops raid of Stockman’s lab, the scientist’s beloved fly escaped death and a vial of the ooze rolled through a grate and into the sewers, where it coated four baby turtles as well as the adult rat, Splinter (Jackie Chan), who found them. Baxter Stockman ( Giancarlo Esposito) sought to alleviate his loneliness by creating a new family with a green mutant serum-subsequently referred to as “ooze"-capable of turning bugs and animals into humanoids. A brief prologue relays how, 15 years ago, Dr. Whereas Mutant Mayhem tries something formally new, it’s otherwise far less adventurous than Rowe’s prior The Mitchells vs. Thompson’s superhero blockbuster was a gonzo amalgam of disparate styles, this reboot picks a single lane and stays in it, save for a brief fantasy sequence that has the appearance of a child’s drawings. Alas, the comparison isn’t exactly flattering whereas Joaquim Dos Santos, Kemp Powers, and Justin K. That approach bears a passing resemblance to the imagery of Spider-Man: Across the Spider-Verse. Director Jeff Rowe’s film is a wholly CGI affair that looks like it’s been hand-crafted, its surfaces (sewer walls, city skyscrapers, explosive clouds of smoke) embellished with bold and scribbled lines. Mutant Mayhem’s sole notable calling card is its unique aesthetic, with Mikros Animation’s visuals boasting a hyper-real quality that highlights the (artificial) brushstrokes of its character and environmental models. Such aesthetic panache, however, can’t totally rehabilitate a franchise that was never cool to begin with and hasn’t aged well since, nor can a script co-written by Seth Rogen and Evan Goldberg that vainly strives to update the heroes in a half shell for the 21st-century crowd. Teenage Mutant Ninja Turtles: Mutant Mayhem (in theaters August 2) is yet another attempt at revitalizing their relevance, and its expressive animation almost does the trick, lending distinctive style to the crime-fighting foursome’s latest big-screen outing. There’s no coming back from collaborating with Vanilla Ice, as the Teenage Mutant Ninja Turtles’ disappointing film and TV efforts over the past three decades bear out. ![]()
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